X: 1 T: In A Sentimental Mood (Tenor Sax) C: Tenor Sax M: 4/4 L: 1/8 R: Ballad (Concert Db) RBIII p150 in F K: Eb B: Real Bk III page 150 in concert F, but this deeper sound is better LW %pad=leonwool,ballads,blakes-trio% "[A]" z2 _EF G_B c_e \ |: "Cm" f8 |-f2 _ef "Cm6" ed c_B\ | G2 cG "F9(maj7)"-G4| "Fm9" z2 GB "Fm6" c G "G7" F _E\ | "Cm" C4-C_EG_B\ | "Gm7" d6 "C9" c2| "Fm7" _A4 "Bb7(b9)" =D4\ |[1. "Eb6/9" _Ez _EF "(Dm7)"\ G_B "(G7)" c_e\ :|[2. "Eb6/9" _E6 "(Dm9)" z2|| "[B]" "Bmaj7" _B2 _A_B\ "Abm7" _dc_B_A\ | "Dbm9" _E2 _DE =E_G_E_D\ | "B6" =B,4 "Ab7" z4\ | "Db7 Gb7" z8| "Bm7" B2 _AB "Ab7" _d=B _B_A\ | "Dbm9" _E2 _D_E "Gb7" =E_G_E_D\ | "Bb7sus"_B,8| "Bb" z2 _EF G_Bc_e| "[A3]" "Cm" f8-\ | "Cm6" f2 _ef _e_dc_B\ | "F9" G2 cG-G4-\ | "Fm9" -G2 G_B c_GF_E| "Cm" C4 -C_EG_B\ | "Gm" _c6 "C9" =c2\ | "Fm7" _A4 "Bb7(b9)" _D4\ | "Eb6" _E2 z2 z4| %%stretchlast%%
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