29 Music Sheets In Study

%pdfname study-2025-01-25 
%pdfquality 0.5 

%addtitle Study  
%addsubtitle Sat 25th Jan 2025 13pm by Visitor
%addsortedindex Study - Tune Index
%addlinkbacktoindex

%doindexpagelinks
%pdfbuilderuser Visitor
%pdfbuilddata 2025:01:25:

%pageheader Elms Vale Music Club CT17 9LS
%pagefooter Club Page https://www.englishtap.com/podcasts/ElmsValeMusic?doorkey=2025 

%addtoc Study Contents
%addtitle Study

    

X:1
T:Breakfast Serials
M:4/4
L:1/8
K:C
R:Note
C:Clock It
%pad=study%
%%sep 0.2cm 0.2cm 15cm
%%center A | D | G | C | F | Bb | Eb | Ab | Db | F# | C#| E 
%%sep 0.2cm 0.2cm 15cm
V:1
   "A" A2 "D" d2 "G" G2 "C" c2\
|"F" F2 "Bb" _B2 "Eb" _E2 "Ab" _A2\
|"C#/Db" ^c2 "F#/Gb" ^F2 "B" B2 "E" e2||
w: ### ## # none \
| b bb bbb bbbb\
| 7#s=5bs 6#s ##### ####
V:2 treble
  A2 D2 G2 C2 | F2 _B2 _E2 _A2\
|_d2 ^F2 ^c2 e2 ||
V:1
  (3D2F2A2 (3_B2_G2_E2\
|(3=E2_A2=G2 (3_D2=B2c2 |  
V:2
  (3D2F2A2 (3_B2_G2_E2\
|(3=E2_A2=G2 (3_D2=B2c2 |  
%%stretchlast%%

X: 1
T: Scales by Triads 1-3-5
L: 1/8
R: 
%pad=triads,study%
K: C
M: 3/4
  "C" C2E2G2\
|"Dm" D2"(ii)"F2A2|"Em" E2"(iii)"G2B2\
|"F"F2"(IV)"A2c2||"G"G2"(V)"B2d2\
|"A"A2"(vi)"c2e2|"Bdim"B2"(vii0)"d2f2|[c6eg]||
  "F" F2"(I)"A2c2|"Gm"G2"(ii)"B2d2\
|"Am"A2"(iii)"c2e2\
|"Bb"_B2"(IV)"d2f2||"C"c2"(V)"e2g2\
|"Dm"d2"(vi)"f2a2|"Edim"e2g2_b2|"F" [F6Ac]||
  "G" G2B2d2|"Am"A2"(ii)"c2e2\
|"Bm"B2"(iii)"d2f2|"C"c2"(IV)"e2g2\
||"D"d2"(V)"^f2a2|"Em"e2"(vi)"g2b2\
|"Fdim"f2"(vii0)"a2c'2|"G"[G6Bd]||
  "D" D2^F2A2|"Em"E2"(ii)"G2B2\
|"F#m"^F2"(iii)"A2^c2|"G"G2"(IV)"B2d2\
||"A"A2"(V)"^c2e2|"Bm"B2"(vi)"d2^f2\
|"Cdim"c2"(vii0)"e2g2|"D"[d6^fa]||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions. 
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns

X: 1
T: Clock 1-4-7-8 
M: 4/4
L: 1/8
C: Octave Doctor
Q: 100
K: C
%pad=study%
%[K:B]\
  "B7" Be ^a2 b4-\
|-b8\
|^e2=e2 d2 b2\
|-b6 z2||\
   %[K:E]\
  "E7" EA ^d2 e4-\
|-e8\
|^a2=a2 ^g2 e2\
|-e6 z2|
   %[K:A]\
   "A7" Ad ^g2 a4-\
|-a8\
|^d2=d2 ^c2 A2\
|-A6 z2||\
   %[K:D]
   "D7" DG ^c2 d4-\
|-d8\
|^G2=G2 ^F2 D2\
|-D6 z2|
   %[K:G]\
   "G7" Gc ^f2 g4-|-g8 \
|^c2=c2 _B2 G2\
|-G6 z2||\
%[K:C]%
   "C7" CF B2 c4-|-c8 \
|^F2=F2 _E2 C2\
|-C6 z2|

X: 1
T: Scales by Triads 10-8-5 
L: 1/8
R: 
Q:120
%pad=triads,study%
K: C
M: 3/4
  "C" e'2c'2g2\
|"Bdim"d'2b2f2"(vii0)"\
|"A"c'2a2e2"(vi)"\
||"G"b2g2d2"(V)"\
|"F"a2f2c2"(IV)"\
|"Em" g2e2B2"(iii)"\
|"Dm" f2d2A2"(ii)"\
|[e6CG]||
  "F" a2f2c2"(I)"\
|"Edim"g2e2_B2\
|"Dm"f2d2A2"(vi)"\
||"C"e2c2G2"(V)"\
|"Bb"d2_B2F2"(IV)"\
|"Am"c2A2E2"(iii)"\
|"Gm"B2G2D2"(ii)"\
|"F" [A6FC]||
  "G" b2g2d2\
|"F#dim"a2^f2c2"(vii0)"\
|"Em"g2e2B2"(vi)"\
||"D"^f2d2A2"(V)"\
|"C"e2c2G2"(IV)"\
|"Bm"d2B2^F2"(iii)"\
|"Am"c2A2E2"(ii)"\
|"G"[B6GD]||
  "D" ^f2d2A2\
|"C#dim"e2^c2G2"(vii0)"\
|"Bm"d2B2^F2"(vi)"\
||"A"^c2A2E2"(V)"\
|"G"B2G2D2"(IV)"\
|"F#m"A2^F2^C2"(iii)"\
|"Em"G2E2B,2"(ii)"\
|"D"[^f6dA]||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions. 
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns

X: 1
T: Scales by Triads 3-5-8
L: 1/8
R: 
%pad=triads,study%
K: C
M: 3/4
  "C" C2E2G2\
|"Dm" D2"(ii)"F2A2|"Em" E2"(iii)"G2B2\
|"F"F2"(IV)"A2c2||"G"G2"(V)"B2d2\
|"A"A2"(vi)"c2e2|"Bdim"B2"(vii0)"d2f2|[c6eg]||
  "F" F2"(I)"A2c2|"Gm"G2"(ii)"B2d2\
|"Am"A2"(iii)"c2e2\
|"Bb"_B2"(IV)"d2f2||"C"c2"(V)"e2g2\
|"Dm"d2"(vi)"f2a2|"Edim"e2g2_b2|"F" [F6Ac]||
  "G" G2B2d2|"Am"A2"(ii)"c2e2\
|"Bm"B2"(iii)"d2f2|"C"c2"(IV)"e2g2\
||"D"d2"(V)"^f2a2|"Em"e2"(vi)"g2b2\
|"Fdim"f2"(vii0)"a2c'2|"G"[G6Bd]||
  "D" D2^F2A2|"Em"E2"(ii)"G2B2\
|"F#m"^F2"(iii)"A2^c2|"G"G2"(IV)"B2d2\
||"A"A2"(V)"^c2e2|"Bm"B2"(vi)"d2^f2\
|"Cdim"c2"(vii0)"e2g2|"D"[d6^fa]||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions. 
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns

X: 1
T: Scales by Triads 5-3-1
L: 1/8
R: 
%pad=triads,study%
K: C
M: 3/4
  "C" g2e2c2\
|"Bdim" f2 d2B2\
|"A"e2"(vi)"c2A2\
|"G"d2"(V)"B2G2\
||"F"c2"(IV)"A2F2\
|"Em" B2"(iii)"G2E2\
|"Dm" A2"(ii)"F2D2\
|[G6EC]||
  "F" c'2"(I)"a2f2\
|"Edim"_b2g2e2\
|"Dm"a2"(vi)"f2d2\
|"C"g2"(V)"e2c2\
||"Bb"f2"(IV)"d2_B2\
|"Am"e2"(iii)"c2A2\
|"Gm"d2"(ii)"B2G2\
|"F" [c6AF]||
  "G" d'2b2g2\
|"F#dim"c'2 a2^f2\
|"Em"b2"(vi)"g2e2\
|"D"a2"(V)"^f2d2\
||"C"g2"(IV)"e2c2\
|"Bm"f2"(iii)"d2B2\
|"Am"e2"(ii)"c2A2\
|"G"[d6BG]||
  "D" a2^f2d2\
|"C#dim"g2 e2^c2\
|"Bm"^f2"(vi)"d2B2\
|"A"e2"(V)"^c2A2\
||"G"d2"(IV)"B2G2\
|"F#m"^c2"(iii)"A2^F2\
|"Em"B2"(ii)"G2E2\
|"D"[A6^FD]||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions. 
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns

X: 1
T: Scales by Triads 5-8-10
L: 1/8
R: 
%pad=triads,study%
K: C
Q:120
M: 3/4
  "C" G2c2e2\
|"Dm" A2"(ii)"d2f2|"Em" B2"(iii)"e2g2\
|"F"c2"(IV)"f2a2||"G"d2"(V)"g2b2\
|"Am"e2"(vi)"a2c'2|"Bdim"f2"(vii0)"b2d'2|[g6c'e']||
  "F" C2"(I)"F2A2|"Gm" D2"(ii)"G2B2\
|"Am"E2"(iii)"A2c2\
|"Bb"F2"(IV)"_B2d2||"C"G2"(V)"c2e2\
|"Dm"A2"(vi)"d2f2|"Edim"_B2e2g2|"F" [c6fa]||
  "G" D2G2B2|"Am"E2"(ii)"A2c2\
|"Bm"F2"(iii)"B2d2|"C"G2"(IV)"c2e2\
||"D"A2"(V)"d2^f2|"Em"B2"(vi)"e2g2\
|"Fdim"c2"(vii0)"^f2a2|"G"[d6gb]||
  "D" A2d2^f2|"Em"B2"(ii)"e2g2\
|"F#m"^c2"(iii)"^f2a2|"G"d2"(IV)"g2b2\
||"A"e2"(V)"a2^c'2|"Bm"^d2"(vi)"b2d'2\
|"Cdim"g2"(vii0)"c'2e'2|"D"[A6d^f]||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions. 
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns

X: 1
T: Melodic Minor Scales Descending Chords 5-b3-1
L: 1/8
R: 
%pad=triads,study%
K: C
M: 3/4
B:Arpeggios go beyond 1st, 2nd and 3rd inversions 
B:Yusef Lateef Repository 1-3 for traid patterns
B:Melodic arpeggios; major 7th ascending, flat-7th descending
  "Am7" g2ecA2\
|"G7" fdB2G2\
|"Fmaj7"  e2cAF2\
|"Em7" dBG2E2\
||"Dm7" c2A2FD\
|"Cmaj7" BGE2C2\
|"Bdim" g2d2B2|[A6ce]|
  "Dm" a2f2d2\
|"C7" _b2 ge c2\
|"Bb"f2"(VI)"d2_B2\
|"Am" e2"(v)" c2A2\
||"Gm" d2"(iv)"_B2G2\
|"Fmaj7" c2 "(III)" A2 F2\
|"Edim" _B2 "(ii)" G2E2\
|"Dm" [A6FD]||


 
   "Cm" g2_e2c2\
|"Bdim" f2 d2_B2\
|"Ab" _e2"(VI)"c2_A2\
|"Gm" d2"(v)" _B2G2\
||"F"c2"(iv)"A2F2\
|"Em" B2"(III)"G2_E2\
|"Dm" A2"(ii)"F2D2\
|[G6_EC]||
   "Fm" c'2"(i)"_a2f2\
|"Edim"_b2g2_e2\
|"Dmaj" _a2"(VI)"f2_d2\
|"Cmaj" g2"(v)" e2c2\
||"Bbm" f2"(iv)"_d2_B2\
|"Ab" _e2"(III)"c2_A2\
|"Gm"_d2"(ii)"B2G2\
|"F" [c6_AF]||
   "Gm" d'2_b2g2\
|"F#dim"c'2 a2^f2\
|"Eb" _b2"(VI)"g2_e2\
|"Dmaj" a2"(V)"^f2d2\
||"C"g2"(iv)"_e2c2\
|"Bm"f2"(III)"d2_B2\
|"Am"_e2"(ii)"c2A2\
|"G"[d6_BG]||
%%stretchlast%%

X: 1
T: Scales by Triads 8-5-3 (Singin' The Blues)
L: 1/8
R: 
Q:120
%pad=triads,study%
K: C
M: 3/4
  "C" c'2g2e2\
|"Bdim"b2f2"(vii0)"d2\
|"A"a2e2"(vi)"c2\
||"G"g2d2"(V)"B2\
|"F"f2c2"(IV)"A2\
|"Em" e2B2"(iii)"G2\
|"Dm" d2A2"(ii)"F2\
|[C6GE]||
  "F" f2c2"(I)"A2\
|"Edim"e2_B2G2\
|"Dm"d2A2"(vi)"F2\
||"C"c2G2"(V)"E2\
|"Bb"_B2F2"(IV)"D2\
|"Am"A2E2"(iii)"C2\
|"Gm"G2D2"(ii)"B,2\
|"F" [f6cA]||
  "G" g2d2B2\
|"F#dim"^f2c2"(vii0)"A2\
|"Em"e2B2"(vi)"G2\
||"D"d2A2"(V)"^F2\
|"C"c2G2"(IV)"E2\
|"Bm"B2^F2"(iii)"D2\
|"Am"A2E2"(ii)"C2\
|"G"[g6dB]||
  "D" d'2a2^f2\
|"C#dim"^c'2g2"(vii0)"e2\
|"Bm"b2^f2"(vi)"d2\
||"A"a2e2"(V)"^c2\
|"G"g2d2"(IV)"B2\
|"F#m"^f2^c2"(iii)"A2\
|"Em"e2B2"(ii)"G2\
|"D"[d6A^F]||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions. 
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns

X: 1
T: Flute Overtones 
M: 4/4
L: 1/8
R: Harmonics
K: C
%pad=study%
%%center finger the lower and sound the higher
%%center With B foot, finger all notes as a low B, otherwise as low C
%%sep 0.2cm 0.2cm 22cm
 "1" [B,4!open!]\
 "2" [B,4!open!B4]\
 "3" [B,4!open!^f4]\
 "4" [B,4!open!b4]\
 "5" [B,4!open!^d'4]\
 "6" [B,4!open!^f'4]\
 "7" [B,4!open!a'4]\
 "8" [B,4!open!b'4]| 
 "1) c=1" C4\
 "2) c=8" [C4!open!c]\
 "3) g=12" [C4!open!g]\
 "4) c=16" [C4!open!c']\
 "5) e=18" [C4!open!=e']\
 "6) g=20" [C4!open!g']\
 "7) Bb" [C4!open!_b']\
 "8) c=24" [C4!open!c'']|

X:1
C:In The Mood Clocked 
T:Clock 1-2-4-6-8-4-6-4-5-4-5-4-2-1
M:4/4
L:1/8
K:F
%pad=study,clock%
"C" {cd^f} c' ^f2 _a-a\
 !accent!^f2 !accent!g\
| -g3/2^f1/2 !accent!g3/2^f1/2\
 d c3 | Z2 |
K:Bb
"F" {fgb} f' b2 _d'-d'\
 !accent!b2 !accent!c'\
| -c'3/2b1/2 !accent!c'3/2b1/2\
 g f3 | Z2 |
| z4 z2 (3fgf\
| !accent! b _a3 =e_d3\
| g _e3 c F3||
K:Eb 
"Bb" {Bce} b e2 _g-g\
 !accent!e2 !accent!f\
| -f3/2e1/2 !accent!f3/2e1/2\
 c B3 | Z2 |
K: Ab
"Eb" {EFA} e A2 =B-B\
 !accent!A2 !accent!_B\
| -B3/2A1/2 !accent!_B3/2A1/2\
 F E3 | Z2 |
%%stretchlast%%

X: 1
T: Nunes Arpegios - C major and B-flat Major ii V I 
M: 4/4
L: 1/8
R: arpegios Ex. 4
K: C
%pad=nunes,study,chords,ii-v-i%
  "Dm7" df ac' "G7" bagf\
|"Cmaj7" eg b ^c'1/2d'1/2-d' =c'2  [K:Bb] ||
  "Cm" cegb "F7" agfe \
|"Bbmaj7" df a =b1/2c'1/2-c'2 _b [K:C] ||
  "Dm7" dfac' "G7" bagf\
|"Cmaj7" eg b ^c'1/2d'1/2-d' =c'2 [K:Bb] ||
  "Cm" cegb "F7" agfe\
|"Bbmaj7" df a =b1/2c'1/2-c'2 _b [K:F] ||
  "Gm7" dfac' "G7" bagf \
|"C7" ac'af dfac'|
  "Am7" eg=bd' bgeg\
|"D7" =bd'bg egbd'|
  "Gm7" dfac' "G7" bagf\
|"C7" ac'af dfac'|
  "Am7" eg=bd' bgeg\
|"D7" =bd'bg egbd'||[K:F] "Gm" a8||

X: 1
T: Nunes Ex 9 - ii V I Cycle
M: 4/4
L: 1/8
R: Start on 2nd 
K: C
%pad=nunes,study,chords,ii-v-i%
  "Key B" "C#m7" ^ce^gb ^a^g^fe \
|"Bmaj7" ^de ^f^d "B6" B^c^dB|
  "Key E" "F#m7" ^FA^ce ^d^cBA \
|"Emaj7" ^GA B^G "E6" E^F^GE |
  "Key A" "Bm7" Bd^fa ^g^fed\
|"Amaj7" ^cd e^c "A6" AB^cA |
  "Key D" "Em7" egbd' "A7" ^c'bag\
|"Dmaj7" ^fga^f "D6" de^fd |
  "Key G" "Am7" Aceg ^fedc\
|"Gmaj7" BcdB "G6" GABG |
  "Key C" "Dm7" DFAc BAGF \
|"Cmaj7" EFGE "C6" CDEC|
  "Key F" "Gm7" G_Bdf edc_B\
|"Fmaj7" A_BcA "F6" FGAF|
  "Key B flat" "Cm7" c_ea_b agf_e\
|"Bbmaj7" d_egd "Bb6" _Bcd_B|

X:1
T:One Note Samba
C:Bridge Clock
M:4/4
L:1/8
R:Latin - Jobim
M:100
%pad=study,clock,high-flute%
[K:C] "Fm7" cd_ef _edc_B\
|"Bb7" _AGF_E D_EFG\
|"Ebmaj7" D3 Cz D _EG\
|d3 c z4|
  "Ebm7" _Bc_d_e _dc_B_A\
|"Ab7" _G_G_E_D C_D_EF\
|"Dbmaj7" C3 _B z c^cf\
|"Dm7(b5)" _A3 cz "C#7(b5)" g2 c| 
[K:F] "Bbm7" fg_a_b _agf_e\
|"Eb7" _dc_b_a g_a_bc'\
|"Abmaj7" g3 fz g _ac'\
|g3 f z4|
  "Abm7" _ef_g_a _gf_e_d\
|"Db7" =B_b_a_g F_g_a_b\
|"Gbmaj7" F3 _E z F^F_b\
|"Gm7(b5)" _d3 c z "F#7(b5)" c2 c| 
[K:Bb] "Eb-7" _bc'_d'_e' _d'c'_b_a\
|"Ab7" _gf_e_d c_d_ef\
|"Dbmaj7" c3 _B z c _df\
|c3 _B z4|
  "Dbm7" _a_b_c'_d' _c'_b_a_g\
|"Gb7" _f_e_d_c _B_c_d_e\
|"Cbmaj7" _B3 _A z _B=B_e\
|"Cm7(b5)" _g3 f z "B7(b5)" f2 f|

X:1
R:Sister Sadie
T:Clock 1-b3-3-5-6-5-8-10
M:C
L:1/8
K:C
%pad=study,clock%
  "B7" z B2 =d ^d^f^g^f\
|b3 ^d' z4|z B2 =d ^d^f ^g^f|b2 a2 ^f2 dB||
  "E7" z E2 =G ^GB^cB\
| e3 ^G' z4\
|z E2 =G ^GB ^cB\
|e2 d2 B2 GE||
  "A7" z A2 =c ^ce^fe\
|a3 ^c' z4\
|z A2 =c ^ce ^fe\
|a2 g2 e2 cA||
  "D7" z d2 =f ^faba\
|d'3 ^f' z4\
|z d2 =f ^fa ba\
|d'2 b2 a2 ^fd||
  "G7" z G2 _B =Bded| g3 =b z4\
|z G2 _B=Bd ed|g2 e2 d2 =BG||
  "C7" z C2 _E =EGAG\
|c3 =e z4\
|z C2 _E=EG AG\
|c2 A2 G2 =EC||
  "F7" z F2 _A =Ac dc\
|f3 =a z4|z F2 _A=Ac dc\
|f2 d2 c2 =AF||
  "Bb7" z _B _d =df gf\
|_b3 =d' z4|z _B2 _d=df gf\
|_b2 g2 f2 =d_B||
  "Eb7" z _E _G =G_B c_B\
|_e3 =g z4|z _E2 _G=G_B c_B\
|_e2 c2 _B2 =G_E||

X: 1
M: 8/4
L: 1/4
R: 
T: Seventh Chords Ascending in Semitones
K:C
%pad=study%
"Cm7" [C2_EG_B]\
"Cm(maj7)" [C2_EGB]\
"C7" [C2EG_B]\
"Cmaj7" [C2EGB]\
| "C#m7" [^C2E^GB]\
"C#m(maj7)" [^C2E^G=c]\
"C#7" [^C2F^GB]\
"C#maj7" [^C2F^Gc] |
"Dm7" [D2FAc]\
"Dm(maj7)" [D2FA^c]\
"D7" [D2^FAc]\
"Dmaj7" [D2^FA^c]\
| "Ebm7" [_E2_G_B_d]\
  "Ebm(maj7)" [_E2_G_Bd]\
"Eb7" [_E2G_B_d]\
"Ebmaj7" [_E2_G_Bd]|
"Em7" [E2GBd]\
"Em(maj7)" [E2GB^d]\
"E7" [E2^GBd]\
"Emaj7" [E2^GB^d]\
| "Fm7" [F2_Ac_e]\
  "Fm(maj7)" [F2_Ace]\
  "F7" [F2Ac_e]\
  "Fmaj7" [F2Ace]|
T:

X: 1
M: 4/4
L: 1/8
R: Start where you can!
T: Flat Keys ii V7 I Root to Root into the major scale 
K: C
%pad=study,clock%
  cA FD FG Bd\
| c2 (3egb d4\
| c2 de f2 g2\
| a2 b2 c'4||
K: F
  fd _BG _Bc ea\
|f2 (3ac'e' g4\
|f2 ga _b2 c'2\
|d2 e2 f4||
K: Bb
  _Bg _ec _ef ad\
|_b2 (3dfa c4\
|_B2 cd _e2 f2\
|g2 a2 b4||
K: Eb
  _ec _AF _A_B dg\
|_e2 (3g_bd f4\
|_E2 FG _A2 _B2\
|c2 d2 e4||
K: Ab
   _af _d_B _d_e gc'\
|_a2 (3c_eg _b4\
|_A2 _Bc _d2 _e2\
|f2 g2 a4||
K: Db
  _d_B _G_E _G_A cf\
|_d2 (3f_ac' _e4\
|_D2 _EF _G2 _A2\
|_B2 c2 d4||
K: Gb
  _g_e _c_A _c_d f_b\
|_g2 (3_B_df _a4\
|_G2 _A_B _c2 _d2\
|_e2 f2 g4||
%%stretchlast%%

X: 1
R: Chromatic Descent or Tritone Sub Study
M: 4/4
L: 1/8
T: Clock 8-7-b7-6-b5-8 
K: C
%pad=tritones,clock,study%
   "B7"b "Bb"_b3 "A"a "Ab"_a3\
|"F7"f"Bb"_b "Eb"_e "Ab"_a-_a4\
|"E7"e _e3 d _d3|_b_e _a _d-_d4|
  "A7"a _a3 g _g3|_e_a _d -_g-_g4\
|"D7"d _d3 c b3|_a_d _g -b-b4\
|"G7"g _g3 f e3|_d_g b e-e4|
   "C7"c b3 _b a3|_gb e a-a4\
|"F7"f e3 _e d3|be a d-d4\
|"Bb7"_b a _a3 g2|ea d g-g4|
   "Eb7"_e d _d3 c2|ad g c-c4\
|"Ab7"_a g _g3 f2|dg c f-f4\
|"Db7"_d c b3 _b2|gc f _b-_b4|
   "Gb7"_g f e3 _e2|cf _b _e-_e4|
%%stretchlast%%

X:1
T:Major 757531 
M:F
L:1/8
K:C
C: Jazz Sax - Charles Gerard (Page 42)  
%pad=triads,study,clock%
|"C"(3bgb (3gec "B" (3^a^f^a (3^f^dB|"Bb"(3afa (3fd_B "A" (3^gf^g (3e^cA
%%stretchlast true

X:1
T: Doodlin' on a Wave
R: Diminished Study
M:4/4
C:Clocked 
%pad=study,clock%
[K:E] "Emaj" z4 z^ce^d\
|B7^G|"C dim" A=c^d^f a^g2b-|b8||
w: 6 8 7 5 3 4 b6 7 9 11 10 12
  "Cdim" c=d^d=f ^f^g=a^a\
| b2 b=a ^g2 B2|"E7" e4 z4|z8 [K:G]|
[K:A] z4\
 "Amaj" z^FA^G\
|E7^C\
|"Fdim" D2=F^GB d^c2e-|e8|
  "Fdim" F=G^G_B =B^c=d^d|e2 e=d ^c2 E2\
|"A7" A4 z4|z8[K:D]||
  z4 "Dmaj" zBd^c| A7^F\
|"Bbdim" G2_B^ce g^f2a-|a8|
 "Bbdim" _B=c^c_e=e^f=g^g\
|a2 a=g ^f2 A2\
|"D7"d8|z8[K:E]|
  z4 "Gmaj" zeg^f\
|d7B|"Ebdim" c2_e^fa c'b2d'-|d'8||
  "Ebdim" _e=f^f_a=ab=c'^c'\
|d'2 d'=c' b2 d2|"G7" g4 z4|z2 z2 z2 z2||
 [K:C] "Cmaj" z4 zAcB|G7E\
| "Fdim" F_ABD' fe2g-|g8||
w: 6 
 [K:F] "Fmaj" z4 zDFE|C7A\
| "Bbdim" _B_deg _ba2c'-|c'8||
w: 6 
 [K:Bb] "Bbmaj" z4 zG_BA|F7D\
| "Ebdim" _E_GAc _ed2f-|f8||
w: 6

X:1
T:Harmonic Minor Cycle 5-b6-7-8
M:4/4
L:1/8
K:C
R: Major 7ths
%pad=study,clock%
|| "Cm" G_A =Bc\
| "Fm" c_d =ef\  
| "Bbm" F_G =A_B|  
| "Ebm" _B_c =d_e\  
|| "Abm" _E_F =G_A\  
| "Dbm" _A__B =c_d||  
| "Gbm" _D__E =F_G\

X:1
T:Melodic Minor Clock 5-6-7-8 b7-b6-5-4
M:4/4
L:1/8
K:C
R: Ascending and decending
%pad=study,clock%
  "Cm" G=A=Bc _B_AGF\
|  "Fm" c_d=ef _e_d_c_B||
   "Bbm"f_g=a_b _a_g_f_e\
"Ebm"_B_c=d_e _d_c_B_A||
  "Abm"_e_f=g_a _g_f_e_d\
|"Dbm"_a_b=c'_d' _c'_b_a_g||
  "Gbm"_d_e=f_g _f_e_d_c\
|"Bm" ^f^g^ab =a=gfe||
  "Em" B^c^de =d=cBA\
|"Am" e^f^ga =g=fed||
  "Dm" a=B'^c'd' =c'_b=ag\
|"Gm" d=e^fg =f_e=dc||

X: 1
T: Leopolitan ii-V-I
M: 4/4
L: 1/8
R: b6 1 b5 
K: Fm
Q:150
%pad=study,cycle%
  "Fm" F2 _G2 _A2 c2\
|c2 _d2 e2 z2\
|(3_G2c2_d2 (3c2_e2_g2\
|f4 z4||
K: Cm
  "Cm" C2 _D2 _E2 F2\
|G2 _A2 B2 z2 \
|(3_D2F2_A2 (3G2_B2_d2\
|c4 z4||
K: Gm
  "Gm" G2 _A2 _B2 c2\
|d2 _e2 ^f2 z2\
|(3_A2c2_e2 (3d2^f2_a2\
|g4 z4||
  "Italian" [_A4c^f] _Ac^fz\
|"French" [_A4cd^f] _Acd^f\
|"German" [_A4c_e^f] _Ac_e^f||
K: Dm
  "Dm" D2 _E2 ^F2 G2\
|A2 _B2 ^c2 z2\
|(3_E2G2_B2 (3A2^c2_e2\
|d4 z4||
K: Am
  "Am" A2 _B2 ^c2 d2\
|e2 f2 ^g2 z2\
|(3_A2d2_e2 (3=e2^g2_b2\
|a4 z4||
K: Em
  "Em" E2 F2 ^G2 A2\
|B2 c2 ^d2 z2\
|(3^F2A2c2 (3=B2^d2=f2\
|e4 z4||
K: Bm
  "Bm" B2 c2 ^d2 e2\
|^f2 =g2 ^a2 z2\
|(3^c2e2g2 (3f2^a2=c'2\
|b4 z4||

X: 1
T: Diatonic Triads - All keys
C: vii-iii-vi-ii-V-I. 
R:Play triads as mixed arpeggios.
B: Raising the root of a dim or the 3rd & 5th creates majors
L: 1/8
K:C
%Q:90
%pad=fourths,study,clock,tritones%
%[K:Gb]\
"G-flat" "Gb" [_G4_g]\
"Fdim" [f2_A_c]\
"Bbm" [_B2F_D]\
"Eb" [_e2_BG]\
"Abm" [_a2_e_c]\
"Db7" [_d2_A_E]\
"Gbmaj7" [_g2_d_B] z4||\
%[K:B]\
 "B-major" "B" [B4b]\
 "A#dim" [^A2^C^E]\
 "D#m" [^d2^F^A]\
 "G#m" [^g2B^d]\
 "C#m" [^c2^GE]\
"F#7" [^f2^c^A]\
"Bmaj7" [B2^F^D]z4||
w: _ vii iii vi ii V I
w: _ 247 357 136 246 257 135
%[K:E]
 "E-major"  "E" [E4e]\
"D#dim" [^d2^F=A]\
"G#" [^g2B^d]\
"C#m" [^c2^GE]\
"F#m" [^f2^cA]\
"B" [B2^F^D]\
"Emaj" [e2B^G]z4||\
%[K:A]
   "A-major" "A" [A4a]\
"G#dim" [^g2B=d]\
"C#m" [^c2E^G]\
"F#m" [^f2^cA]\
"Bm" [b2^fd]\
"E7" [e2B^G]\
"Amaj7" [a2e^c]z4||
%[K:D]
  "D-major" "D" [D4d]\
"C#dim" [^c2E=G]\
"F#m" [^f2^cA]\
"Bm" [B2^FD]\
"Em" [e2BG]\
"A7" [a2e^c]\
"Dmaj7" [d2A^F]z4||\
%[K:G]
   "G-major" "G" [G4g]\
"F#dim" [^f2cA]\
"Bm" [b2^fd]\
"Em" [e2BG]\
"Am" [a2eB]\
"D7" [d2A^F]\
"Gmaj7" [g2Bd]z4||
%[K:C]\
  "C-major" "C" [C4c]\
"Bdim" [b2df]\
"Em" [e2GB]\
"Am" [a2ce]\
"Dm" [d2AF]\
"G7" [g2Bd]\
"Cmaj7" [c2GE]z4||\
%[K:F]\
  "F-major" "F" [F4f]\
"Edim" [e2G_B]\
"Am" [a2ce]\
"Dm" [d2FA]\
"Gm" [g2d_B]\
"C7" [c2GE]\
"Fmaj7" [f2cA]z4||
%[K:Bb]\
   "B-flat major" "Bb" [_B4_b]\
"Adim" [a2c_e]\
"Dm" [d2FA]\
"Gm" [g2d_B]\
"Cm" [c2G_E]\ 
"F" [f2cA]\
"Bb" [_b2df]z4||\
%[K:Eb]\
  "E-flat major" "Eb" [_E4_e]\
"Ddim" [d2F_A]\
"Gm" [g2d_B]\
"Cm" [c2G_E]\
"F" [f2cA]\
"Bb" [_B2DF]z4||
%[K:Ab]\
  "A-flat major" "Ab" [_A4_a]\
"Gdim" [g2_d_B]\
"Cm" [c2G_E]\
"F" [f2cA]\
"Bb" [_B2DF]\
"Eb" [_e2G_B]\
"Ab" [_a2ce]z4||\
%[K:Db]\
   "D-flat major" "Db" [_D4_d]\
"Cdim" [c2_G_E]\
"Fm" [f2cA]\
"Bb" [_B2DF]\
"Eb" [_e2G_B]\
"Ab" [_a2ce]\
"Db" [_d2F_A]z4||
%%stretchlast%%


% old stuff 
  "B Major"\
"C#m" [^ce^g]\
"F#7" [^F]\
"B" [B] \
"Emaj7" [E] \
"A#0" [^A] "D#m" [^D]\
"G#m" [^G]||\
  "E Major"\
"F#m" ^F\
"B7" B\
"E" E\
"Amaj7" A\
"D#dim" ^d\
"G#m" ^G\
"C#m" ^c||
  "A major"\
"Bm" B\
"E7" E\
"A" A\
"Dmaj7" d\
"G#0" ^G\
"C#m" [^c] "F#m" [^f]||\
  "D major"\
"Em" [E]\
"A7" [A]\
"D" [D]\
"Gmaj7" [G]\
"C#0" [^c] "F#m" [^f]\
"Bm" [B]||
%
  "G major"\
"Am" [Ace] \
"D7" [d^fg]\
"G" [gbd]\
"Cmaj7" [ceg] \
"F#0" [^f] \
"Bm" [B]\
"Em" [egb] ||\
  "C major"\
"Dm7" [D F A C]\
"G7" [G B D F]\
"Cmaj" [C E G B]\
"Fmaj7" [F A C E]\
"Bdim" [B D F A]\
"Em" [E G B D]\
"Am" [A C E G]||
  "F-major"\
"Gm" [G _B D F]\
"C7" [c]\
"F" [f]\
"Bbmaj7" [_B]\
"Edim" [e]\
"Am" [a]\
"Dm7" [D F A C]||\
  "Bb major"\
"Cm7" [C _E G _B] \
"F7" [F] \
"Bb" [_B]\
"Ebmaj7" [_e]\
"Adim" [a] \
"Dm" [D F A C] \
"Gm7" [G _B D F]||
   "Eb major"
"Fm7" [F _A C _E]\
"Bb7" [_B]\
"Eb"  [_e]\
"Abmaj7" [_a]\
"Ddim" [d]\
"Gm" [G]\
"Cm" [c_eg]||\
  "Ab major"\
"Bbm" [_B]\
"Eb7" [_e]\
"Ab" [_a]\
"Dbmaj7" [_d]\
"Gdim" [g]\
"Cm" [C _E G _B]\
"Fm" [f]||
  "Db major"\
"Ebm" [_e]\
"Ab7" [_a]\
"Db" [_d]\
"Gbmaj7" [_g]\
"Cdim" [c]\
"Fm" [f_a]\
"Bbm" [_bd]||\
  "Gb major"\ 
"Abm" [_a]\
"Db7" [_d]\
"Gb" [_g]\
"Bmaj7" [B_e]\
"Fdim" [f_ab]\
"Bbm" [_b]\
"Ebm" [_e]||

X:1
T:The Last Post
M:2/4
L:1/8
K:C
R:Overblowing and Harmonic Theory
C: 2056
%pad=study%
!mf! C2|!fermata! !crescendo(! G4\
|!crescendo)! -G2 z C\
|!fermata!  !crescendo(! G4\
|!crescendo)! -G2 z C\
|G2 G3/2G1/2\
| c2 e2| G2 G3/2G1/2|
   "(9)" G2 z2| e2 g2|e2 c2\
|g2 ec|g2 ec\
|G2 G3/2G1/2\
|G2 x2|g2 e2|
   "(17)" c2 Ge|c2 Ge|c2 Ge\ 
|cc Ge|c2 GG|ccee|c2 zG|
   "(24)" e2 g2|e2 c2| G2 G3/2G1/2\
|G2 G3/2G1/2\
|cc1/2c1/2 ce\
|c2 GG\
|cc1/2c1/2 ce|
   "(31)" c2GG\
| cece|c2 zG| e2 g2| e2 c2\
| G2 G3/2G1/2| G2 z2|g2 ec|
   "(39)" g2 ec\
|G2 G3/2G1/2 G2 zC\
|!fermata! !crescendo(! G4\
| -G2 !crescendo)!zC|
   "(44)" !fermata! !crescendo(! G4\
|-G2 !crescendo)! z C\
|G2 G3/2G1/2\
|!fermata! !crescendo(! c4\
!crescendo)! | !crescendo(!\
e4|!fermata! e2!crescendo)!||

X: 1
T: Tritones ii V I 
M: 4/4
L: 1/8
C: Tritone Sub b5 b7 b11
Q: 80
R: Play 4 7 tritone then Tritone sub the V chord 
K: C
%pad=study%
  "B7" B2 f2\
"Abm" _a2=B_E\
|"Db7" _D2f_A\
"C7" c2=EA\
|"Gb7" c_df_g3 z2||\
   "E7" E2 _B2\
"Dbm" _d2=e_A\
|"Gb7" _G2_B_D\
"F7" f2=AD\
|"B7" f_g_B=B3 z2||
w: 4 7 ii | V _ _ Alt | I  
  "A7" A3 _e1\
"Gbm" _a2=a_D\
|"B7" =B2_E_G\
"Bb7" _B2=DG\
|"E7" _B=B_A=E3 z2||\
  "D7" D1 _A3\
"Bm" _d2=d_G\
|"E7" =E2_A=B\
"Eb7" _E2=Gc\
|"A7" _E=E_D=A3 z2||
  "G7" G2 _d2\
"Em" _a2=a=B\
|"A7" =A2_D=E\
"Ab7" _A2=cf\
|"D7" _A=A_G=d3 z2||\
  "Cmaj7" F3 B1\
"Dm" d2FA\
|"G7" g2Bd\
"Gb7" _g2_B_d\
|"C7" EgBc3 z2||
   "Fmaj7" _B3 e1\
"Gm" g2_Bd\
|"C7" c2EG\
"B7" B2_E_A\
|"F7" AcEf3 z2||\
  "Bb7" _E2 A2 \
"Cm" c2_Eg\
|"F7" f2Ac\
"E7" e2_A_d\
|"Eb7" G_Bd_E3 z2||
  "Eb7" _A2 d2 \
"Fm" f2_Ac\
|"Bb7" _B2Df\
"A7" a2_d_g\
|"Eb7" A_BD_E3 z2||\
  "Ab7" _D2 G2 \
"Bbm" _B2_DF\
|"Eb7" _E2G_B\
"D7" d2_g=B\
|"Ab7" D_EG_A3 z2||
  "Db7" _G2 c2\
"Ebm" _e2_G_B\
|"Ab7" _A2c_E\
"G7" g2=BE\
|"Db7" G_Ac_d3 z2||\
  "Gb" B2 F2\
"Abm" _a2=B_E\
|"Db7" _D2f_A\
"C7" c2=EA\
|"Gb7" c_Df_a3 z2|| 
%%stretchlast%%



  "Eb7" [A2][_e2]\

X:1
T:Melody Words
M:4/4
L:1/8
C:Ascending
R:Melody strong tones. Not just passing neighbours
B: Everytime we say goodbye, Jingle Bells, Let it be
%pad=jacqui,study%
K:C
  "Note repeat"  c2 c2 c4 z2|cc | G4 G4
%Everytime we say goodbye
%God Save the King (John Bull, 1745)
%Jingle Bells (James Lord Pierpont, 1857)
%Happy Birthday to You (Mildred Hill, 1893)
%Let It Be (The Beatles, 1970)
%Candle in the Wind (Elton John, 1973)
w: Jin-gle Bells|Hap-py birth-day | God save 
%
%
 "Minor Second" G4 _A4
%As Time Goes By (Herman Hupfeld, 1931)
%White Christmas (Irving Berlin, 1954)
%A Hard Days Night (The Beatles, 1964)
%Jaws Theme (John Williams, 1975)
%Isn't She Lovely (Stevie Wonder, 1976)
%
%major second
%Frère Jacques (folk song)
%Silent Night (Franz Xaver Gruber, 1818)
%Rudolph The Red-Nosed Reindeer (J. Marks, 1939)
%Autumn Leaves (Joseph Kosma, 1945)
%Never Gonna Give You Up (Rick Astley, 1987)
%
%minor third
%Greensleeves (folk song)
%O Canada (Calixa Lavallée, 1880)
%Georgia on My Mind (Hoagy Carmichael, 1930)
%What the World Needs Now (Burt Bacharach, 1965)
%Axel F (Beverly Hills Cop, 1985)
%
%major third
%Spring (Antonio Vivaldi, 1721-25)
%For He's a Jolly Good Fellow (folk song)
%Oh, when the Saints (folk song)
%Morning has Broken (folk song)
%What a Wonderful World (George Douglas, 1967)
%
%perfect fourth 
%We Wish You a Merry Christmas (folk song)
%Amazing Grace (John Newton, 1773)
%Someday My Prince Will Come (F. Churchill, 1937)
%Love Me Tender (Elvis Presley, 1956)
%Black or White (Michael Jackson, 1991)
%
%tritone
%Maria – chorus (Leonard Bernstein, 1956)
%The Simpsons Theme (Danny Elfman, 1989)
%The Saint (Edwin Astley, 1997)
%
%fifth
%Scarborough Fair (folk song)
%Byssan lull (folk song)
%Can't Help Falling in Love (Elvis Presley, 1961)
%Perhaps Love (John Denver, 1981)
%Top Gun Anthem (Harold Faltermeyer, 1986)
%
%minor sixth
%Go Down Moses (folk song)
%Waltz in C-sharp minor (Frédéric Chopin, 1847)
%In My Life – intro (The Beatles, 1965)
%A Town With An Ocean View (Joe Hisaishi, 1989)
%Close Every Door (Andrew Lloyd Webber, 1991)
%
%major sixth
%My Bonnie Lies over the Ocean (folk song)
%Nocturne in E-flat major (Frédéric Chopin, 1830)
%La traviata (Giuseppe Verdi, 1853)
%My Way (Frank Sinatra, 1969)
%Only Love (Nana Mouskouri, 1985)
%
%minor seventh
%Maman les p'tits bateaux (folk song)
%Somewhere (Leonard Bernstein, 1957)
%Theme from Star Trek (Alexander Courage, 1966)
%The Winner Takes It All – chorus (ABBA, 1980)
%
%major seventh
%Fantasy Island Theme (John Ottman, 1977)
%Take on Me – chorus (A-ha, 1984)
%Popular (Nada Surf, 1996)
%Don't Know Why (Norah Jones, 2002)
%
%octave
%Singin' in the Rain (Nacio Brown, 1929)
%Over The Rainbow (Harold Arlen, 1939)
%The Christmas Song (Robert Wells, 1945)
%Blue Bossa (Kenny Dorham, 1963)
%Ironic (Alanis Morissette, 1996)
  "Octave" "1-8-4" C2 c4 A2|-A8\
||"1-4" C2 F2 z2 z2\
|"1-3-5-8-9" C2 E2 G2 | c6| d4 z2|
w: Fla-min-go||a-way\
   | mor-ning-has bro-ken|
  C2 "Tone" D2 E2 F2 |E2 D2 C4\
|c2 "Semitone" B2 A2 G2 |F4 z4|
w: Un-to us a child is born.\
   Fly me to the moon

X:1
T:Melody Words 
M:4/4
L:1/8
C:Descending
R:Condsider just the first two notes of each phrase.
R:Compare with the matching ascending interval.
%pad=jacqui,study%
K:C
"minor second" "Semi-tone" \
%Joy to the World (Isaac Watts, 1719)
  "D"[d2D] "G"[cD]>[BD] "D" [A3D] z\
  |d3 ^c B2 AG-
w: Joy to the world! |fly me to the moon
%Für Elise (Ludwig van Beethoven, 1810)
%Fly Me to the Moon (Frank Sinatra, 1954)
%All My Loving (The Beatles, 1963)
%Fields of Gold (Sting, 1993)
%
%major second
%The First Noel (folk song)
%Mary Had a Little Lamb (folk song)
%Eight Days a Week (The Beatles, 1964)
%Yesterday (The Beatles, 1965)
%Wonderwall (Oasis, 1995)
%
%minor third
%The Star-Spangled Banner (Francis Key, 1814)
%Morning Mood (Peer Gynt, 1875)
%Frosty the Snowman (Walter Rollins, 1950)
%Hey Jude (The Beatles, 1968)
%They Don't Care About Us (Michael Jackson, 1996)
%
%major third
%Swing Low, Sweet Chariot (folk song)
%Symphony No. 5 (Ludwig van Beethoven, 1804)
%Summertime (George Gershwin, 1935)
%Giant Steps (John Coltrane, 1960)
%Tears In Heaven (Eric Clapton, 1991)
%
%fourth
%O Come, All Ye Faithful (John Wade, 1751)
%Eine kleine Nachtmusik (W.A. Mozart, 1787)
%I've Been Working on the Railroad (folk song)
%Shave and a Haircut (folk song)
%All of Me (Gerald Marks, 1931)
%
%tritone
%Blue 7 (Sonny Rollins, 1956)
%Turn Back, O Man (Godspell, 1971)
%YYZ (Rush, 1981)
%Even Flow (Pearl Jam, 1991)
%
%fifth
%Minuet in G (Christian Petzold, 1725)
%The Way You Look Tonight (Dorothy Fields, 1936)
%Have You Met Miss Jones? (Richard Rodgers, 1937)
%Flintstones Theme (Hoyt Curtin, 1961)
%Love Will Keep You Warm (Swan Lee, 2004)
%
%minor sixth
%Forêts paisibles (Jean-Philippe Rameau, 1735)
%Chega de Saudade (Antonio Carlos Jobim, 1957)
%Love Story Theme (Francis Lai, 1970)
%You're Everything (Chick Corea, 1973)
%
%major sixth
%Nobody Knows the Trouble I've Seen (folk song)
%A Weaver of Dreams (Nat King Cole, 1925)
%The Music of the Night (Andrew L. Webber, 1986)
%Man in the Mirror – chorus (Michael Jackson, 1988)
%No Surprises (Radiohead, 1997)
%
%minor seventh
%An American in Paris (George Gershwin, 1951)
%Watermelon Man (Herbie Hancock, 1962)
%Lady Jane – chorus (Rolling Stones, 1966)
%
%major seventh
%I Love You (Cole Porter, 1944)
%
%octave
%Willow Weep For Me (Ann Ronell, 1932)
%Doogie Howser Theme (Mike Post, 1989)
%Todos los días un poco (León Gieco, 1993)
%To Zanarkand (Uematsu, 2002)
%

X:1
T:Rhythm Words
M:4/4
L:1/8
R:Rhythm in Words
%pad=jacqui,study,rhythm-study%
K:C
 (3GBd g2 (3GBd G2 |
w: sat-ur-day came sat-ur-day went
  C e2 g2 z z2\
|C e2 g2 z z2|
w: Tic-kets please Tic-kets please
  Cz eg z g z2  C2 eg -g2 z2|
w: Bad ba-na-nas More bis-cuits
 zC Eg G2 G2 | G4 z4|
w: Um-bre-lla in the rain