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%pdfname triads-2025-03-19
%pdfquality 0.5
%addtitle Triads
%addsubtitle Wed 19th Mar 2025 06am by Visitor
%addsortedindex Triads - Tune Index
%addlinkbacktoindex
%doindexpagelinks
%pdfbuilderuser Visitor
%pdfbuilddata 2025:03:19:
%pageheader Elms Vale Music Club CT17 9LS
%pagefooter Club Page https://www.englishtap.com/podcasts/ElmsValeMusic?doorkey=2025
%addtoc Triads Contents
%addtitle Triads
X: 1
T: Scales by Triads 1-3-5
L: 1/8
R:
%pad=triads,study%
K: C
M: 3/4
"C" C2E2G2\
|"Dm" D2"(ii)"F2A2|"Em" E2"(iii)"G2B2\
|"F"F2"(IV)"A2c2||"G"G2"(V)"B2d2\
|"A"A2"(vi)"c2e2|"Bdim"B2"(vii0)"d2f2|[c6eg]||
"F" F2"(I)"A2c2|"Gm"G2"(ii)"B2d2\
|"Am"A2"(iii)"c2e2\
|"Bb"_B2"(IV)"d2f2||"C"c2"(V)"e2g2\
|"Dm"d2"(vi)"f2a2|"Edim"e2g2_b2|"F" [F6Ac]||
"G" G2B2d2|"Am"A2"(ii)"c2e2\
|"Bm"B2"(iii)"d2f2|"C"c2"(IV)"e2g2\
||"D"d2"(V)"^f2a2|"Em"e2"(vi)"g2b2\
|"Fdim"f2"(vii0)"a2c'2|"G"[G6Bd]||
"D" D2^F2A2|"Em"E2"(ii)"G2B2\
|"F#m"^F2"(iii)"A2^c2|"G"G2"(IV)"B2d2\
||"A"A2"(V)"^c2e2|"Bm"B2"(vi)"d2^f2\
|"Cdim"c2"(vii0)"e2g2|"D"[d6^fa]||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions.
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns
X: 1
T: Scales by Triads 10-8-5
L: 1/8
R:
Q:120
%pad=triads,study%
K: C
M: 3/4
"C" e'2c'2g2\
|"Bdim"d'2b2f2"(vii0)"\
|"A"c'2a2e2"(vi)"\
||"G"b2g2d2"(V)"\
|"F"a2f2c2"(IV)"\
|"Em" g2e2B2"(iii)"\
|"Dm" f2d2A2"(ii)"\
|[e6CG]||
"F" a2f2c2"(I)"\
|"Edim"g2e2_B2\
|"Dm"f2d2A2"(vi)"\
||"C"e2c2G2"(V)"\
|"Bb"d2_B2F2"(IV)"\
|"Am"c2A2E2"(iii)"\
|"Gm"B2G2D2"(ii)"\
|"F" [A6FC]||
"G" b2g2d2\
|"F#dim"a2^f2c2"(vii0)"\
|"Em"g2e2B2"(vi)"\
||"D"^f2d2A2"(V)"\
|"C"e2c2G2"(IV)"\
|"Bm"d2B2^F2"(iii)"\
|"Am"c2A2E2"(ii)"\
|"G"[B6GD]||
"D" ^f2d2A2\
|"C#dim"e2^c2G2"(vii0)"\
|"Bm"d2B2^F2"(vi)"\
||"A"^c2A2E2"(V)"\
|"G"B2G2D2"(IV)"\
|"F#m"A2^F2^C2"(iii)"\
|"Em"G2E2B,2"(ii)"\
|"D"[^f6dA]||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions.
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns
X: 1
T: Scales by Triads 3-5-8
L: 1/8
R:
%pad=triads,study%
K: C
Q:120
M: 3/4
"C" E2G2c2\
|"Dm" F2"(ii)"A2d2|"Em" G2"(iii)"B2e2\
|"F"A2"(IV)"c2f2||"G"B2"(V)"d2g2\
|"Am"c2"(vi)"e2a2|"Bdim"d2"(vii0)"f2b2|[e6gc']||
"F" A2"(I)"c2f2|"Gm" B2"(ii)"d2g2\
|"Am"c2"(iii)"e2a2\
|"Bb"d2"(IV)"f2_b2||"C"e2"(V)"g2c'2\
|"Dm"f2"(vi)"a2d'2|"Edim"g2_b2e'2|"F" [A6cf]||
"G" B2d2g2|"Am"c2"(ii)"e2a2\
|"Bm"d2"(iii)"f2b2|"C"e2"(IV)"g2c'2\
||"D"^f2"(V)"a2d'2|"Em"g2"(vi)"b2e'2\
|"Fdim"a2"(vii0)"c'2^f'2|"G"[B6dg]||
"D" ^F2A2d2|"Em"G2"(ii)"B2e2\
|"F#m"A2"(iii)"^c2^f2|"G"B2"(IV)"d2g2\
||"A"^c2"(V)"e2a2|"Bm"d2"(vi)"^f2b2\
|"Cdim"e2"(vii0)"g2c'2|"D"[^f6ad']||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions.
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns
X: 1
T: Scales by Triads 5-3-1
L: 1/8
R:
%pad=triads,study%
K: C
M: 3/4
"C" g2e2c2\
|"Bdim" f2 d2B2\
|"A"e2"(vi)"c2A2\
|"G"d2"(V)"B2G2\
||"F"c2"(IV)"A2F2\
|"Em" B2"(iii)"G2E2\
|"Dm" A2"(ii)"F2D2\
|[G6EC]||
"F" c'2"(I)"a2f2\
|"Edim"_b2g2e2\
|"Dm"a2"(vi)"f2d2\
|"C"g2"(V)"e2c2\
||"Bb"f2"(IV)"d2_B2\
|"Am"e2"(iii)"c2A2\
|"Gm"d2"(ii)"B2G2\
|"F" [c6AF]||
"G" d'2b2g2\
|"F#dim"c'2 a2^f2\
|"Em"b2"(vi)"g2e2\
|"D"a2"(V)"^f2d2\
||"C"g2"(IV)"e2c2\
|"Bm"f2"(iii)"d2B2\
|"Am"e2"(ii)"c2A2\
|"G"[d6BG]||
"D" a2^f2d2\
|"C#dim"g2 e2^c2\
|"Bm"^f2"(vi)"d2B2\
|"A"e2"(V)"^c2A2\
||"G"d2"(IV)"B2G2\
|"F#m"^c2"(iii)"A2^F2\
|"Em"B2"(ii)"G2E2\
|"D"[A6^FD]||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions.
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns
X: 1
T: Scales by Triads 5-8-10
L: 1/8
R:
%pad=triads,study%
K: C
Q:120
M: 3/4
"C" G2c2e2\
|"Dm" A2"(ii)"d2f2|"Em" B2"(iii)"e2g2\
|"F"c2"(IV)"f2a2||"G"d2"(V)"g2b2\
|"Am"e2"(vi)"a2c'2|"Bdim"f2"(vii0)"b2d'2|[g6c'e']||
"F" C2"(I)"F2A2|"Gm" D2"(ii)"G2B2\
|"Am"E2"(iii)"A2c2\
|"Bb"F2"(IV)"_B2d2||"C"G2"(V)"c2e2\
|"Dm"A2"(vi)"d2f2|"Edim"_B2e2g2|"F" [c6fa]||
"G" D2G2B2|"Am"E2"(ii)"A2c2\
|"Bm"F2"(iii)"B2d2|"C"G2"(IV)"c2e2\
||"D"A2"(V)"d2^f2|"Em"B2"(vi)"e2g2\
|"Fdim"c2"(vii0)"^f2a2|"G"[d6gb]||
"D" A2d2^f2|"Em"B2"(ii)"e2g2\
|"F#m"^c2"(iii)"^f2a2|"G"d2"(IV)"g2b2\
||"A"e2"(V)"a2^c'2|"Bm"^d2"(vi)"b2d'2\
|"Cdim"g2"(vii0)"c'2e'2|"D"[A6d^f]||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions.
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns
X: 1
T: Melodic Minor Scales Descending Chords 5-b3-1
L: 1/8
R:
%pad=triads,study%
K: C
M: 3/4
B:Arpeggios go beyond 1st, 2nd and 3rd inversions
B:Yusef Lateef Repository 1-3 for traid patterns
B:Melodic arpeggios; major 7th ascending, flat-7th descending
"Am7" g2ecA2\
|"G7" fdB2G2\
|"Fmaj7" e2cAF2\
|"Em7" dBG2E2\
||"Dm7" c2A2FD\
|"Cmaj7" BGE2C2\
|"Bdim" g2d2B2|[A6ce]|
"Dm" a2f2d2\
|"C7" _b2 ge c2\
|"Bb"f2"(VI)"d2_B2\
|"Am" e2"(v)" c2A2\
||"Gm" d2"(iv)"_B2G2\
|"Fmaj7" c2 "(III)" A2 F2\
|"Edim" _B2 "(ii)" G2E2\
|"Dm" [A6FD]||
"Cm" g2_e2c2\
|"Bdim" f2 d2_B2\
|"Ab" _e2"(VI)"c2_A2\
|"Gm" d2"(v)" _B2G2\
||"F"c2"(iv)"A2F2\
|"Em" B2"(III)"G2_E2\
|"Dm" A2"(ii)"F2D2\
|[G6_EC]||
"Fm" c'2"(i)"_a2f2\
|"Edim"_b2g2_e2\
|"Dmaj" _a2"(VI)"f2_d2\
|"Cmaj" g2"(v)" e2c2\
||"Bbm" f2"(iv)"_d2_B2\
|"Ab" _e2"(III)"c2_A2\
|"Gm"_d2"(ii)"B2G2\
|"F" [c6_AF]||
"Gm" d'2_b2g2\
|"F#dim"c'2 a2^f2\
|"Eb" _b2"(VI)"g2_e2\
|"Dmaj" a2"(V)"^f2d2\
||"C"g2"(iv)"_e2c2\
|"Bm"f2"(III)"d2_B2\
|"Am"_e2"(ii)"c2A2\
|"G"[d6_BG]||
%%stretchlast%%
X: 1
T: Scales by Triads 8-5-3 (Singin' The Blues)
L: 1/8
R:
Q:120
%pad=triads,study%
K: C
M: 3/4
"C" c'2g2e2\
|"Bdim"b2f2"(vii0)"d2\
|"A"a2e2"(vi)"c2\
||"G"g2d2"(V)"B2\
|"F"f2c2"(IV)"A2\
|"Em" e2B2"(iii)"G2\
|"Dm" d2A2"(ii)"F2\
|[C6GE]||
"F" f2c2"(I)"A2\
|"Edim"e2_B2G2\
|"Dm"d2A2"(vi)"F2\
||"C"c2G2"(V)"E2\
|"Bb"_B2F2"(IV)"D2\
|"Am"A2E2"(iii)"C2\
|"Gm"G2D2"(ii)"B,2\
|"F" [f6cA]||
"G" g2d2B2\
|"F#dim"^f2c2"(vii0)"A2\
|"Em"e2B2"(vi)"G2\
||"D"d2A2"(V)"^F2\
|"C"c2G2"(IV)"E2\
|"Bm"B2^F2"(iii)"D2\
|"Am"A2E2"(ii)"C2\
|"G"[g6dB]||
"D" d'2a2^f2\
|"C#dim"^c'2g2"(vii0)"e2\
|"Bm"b2^f2"(vi)"d2\
||"A"a2e2"(V)"^c2\
|"G"g2d2"(IV)"B2\
|"F#m"^f2^c2"(iii)"A2\
|"Em"e2B2"(ii)"G2\
|"D"[d6A^F]||
%%stretchlast%%
B:Arpeggios go beyond 1st, 2nd and 3rd inversions.
B: Yusef Lateef Study Repositiry of Scales and melodic patterns 1-3 has more traid patterns
X: 1
T: Eighteen Triads
C: Steps u=Up ; d=down
M: 4/4
L: 1/8
R: 90
%pad=triads%
[K:F] "F-major" "uu" FAc Acf CFA\
| "u2d" FcA Afc CAF\
| "ud2" FAE AcF cfA|
w: 1 3 5 3 5 8 5 8 10 1 5 3 3 8 5 5 10 8 \
8 10 3 3 5 1 5 8 3
"dd" cAF fcA afc\
| "d2u" fAc acf cFA\
| "u2u" Fca Afc' CAf
[K:C] "C-major" "uu" CEG EGc Gce \
| "u2d" CGE EcG Gec \
| "ud2" ceG egc gc'e|
w: 1 3 5 3 5 8 5 8 10 1 5 3 3 8 5 5 10 8 \
8 10 3 3 5 1 5 8 3
"dd" GEC cGE ecG\
| "d2u" cEG eGc gce\
| "u2u" cge' Ecg Gec'
[K:G] "G-Major" "uu" GBd Bdg dgb\
| "u2d" GdB Bgd DBG\
| "ud2" GBD BdG dgB|
w: 1 3 5 3 5 8 5 8 10 1 5 3 3 8 5 5 10 8 \
8 10 3 3 5 1 5 8 3
"dd" dBG gdB bgd\
| "d2u" gBd bdg dGB\
| "u2u" Gdb Bgd' DBg
X: 1
T: G Major Triads
L: 1/8
R: Triads
K: G
%pad=triads,jacqui%
%%center G maj | Am | Bm | C maj | D maj | Em | F# dim
%%center Triads inverted on piano and arpeggiated on wind instruments
%%sep 0.2cm 0.2cm 20cm
[M: 2/4] "I" "Gmaj" [G2Bd][g2bd']\
|"ii" "Am" [A2ce][a2c'e']\
|"iii" "Bm" [B4df]\
|"IV" "Cmaj" [C2EG][c2eg]\
|"V" "Dmaj" [d4^fa]\
|"vi" "Em" [E2GB][e2gb]\
|"vii-dim" "F#dim" [F2Ac][f2ac']|
%%center Seventh Chords
%%center When you see only "7" it's a FLAT Seventh of that Note's scale
%%center G7 is NOT in the scale of G, having an f#
%%center G7 is V7 of the C-major scale
%%sep 0.2cm 0.2cm 20cm
M: 4/4
"ii" "Am7" [A4ceg]\
"V" "Dmaj7" [D4FAc]\
|"I" "Gmaj7" [G4Bd^f]\
"iii" "Bm7" [B4dfa]\
|"vi" "Em7" [E4GBd]\
"IV" "Cmaj7" [C4EGB]\
|"vii-dim" "F#dim7" [F4Ace] G4|
%%center ii V I arpeggios, triads and seventh chords
M: 3/4
"Am" (3Ace "D7" d^fac "Gmaj7" Bd^fg\
|"Am" (3cea "D" (3^FAd "G" (3gbd'\
|"Am" (3eac' "D7" cAd^f "G" (3Bdg|
"Am" (3cae "D" (3Ad^f "G" (3bgd\
|"Am" (3aec "D" (3Ad^f "G" (3gdB\
|"Am" (3ecA "D" (3Ad^f "G" (3dBG ||
X:1
T:Major 757531
M:F
L:1/8
K:C
C: Jazz Sax - Charles Gerard (Page 42)
%pad=triads,study,clock%
|"C"(3bgb (3gec "B" (3^a^f^a (3^f^dB|"Bb"(3afa (3fd_B "A" (3^gf^g (3e^cA
%%stretchlast true
X: 1
T: Triad Pairs I II
M: 4/4
L: 1/8
C: I major II major
R: Reverse to descend
K: C
Q:90
%pad=triads,triad-pairs%
%leave a space after each triad line feeds too%
"B" B^d^f ^c=f^g \
^d^fb =f^g^c' \
^fb^d' ^g^c'=f'|
%E-MAJOR
"E" E^GB ^F^A^c \
^GBe ^A^c^f \
Be^g ^c^f^a e^gb ^f^a^c'|
% A-MAJOR
"A" A^ce B^d^f \
^cea ^d^fb ea^c' \
^fb^d' a^c'e' b^d'^f'|
% D-MAJOR %
"D" D^FA E^GB \
^FAd ^GBe Ad^f Be^g \
d^fa e^gb ^fad' ^gbe'|
% G-MAJOR %
"G" GBd E^GB \
Bdg ^GBe dgb Be^g \
gbd' e^gb |
% C- MAJOR %
"C" CEG D^FA \
EGc ^FAd Gce Ad^f ceg d^fa |
"F" FAc G=Bd Acf =Bdg cfa dg=b fac' g=bd' |
"Bb" _EG_B C=EG G_B_e =EGc _B_eg Gc=e _eg_b c=eg |
% E-flat %
"Eb" _EG_B F=Ac \
G_B_e =Acf\
_B_eg cf=a _eg_b f=ac|
"Ab" _Ac_e _B=df c_e_a \
=df_b _e_ac' f_b=d' _ac'_e' _b=d'f'|
"Db" _DF_A _EG_B F_A_d G_B_e \
_A_df _B_eg _A_df _B_eg|
"Gb" _G_B_d _A=c_e _B_d_g \
=c_e_a _d_g_b _e_a=c' _g_b_d' _a=c'_e'||
X: 1
T: Ascending III V Traids - Cycle of Fifths
M: 6/8
L: 1/8
R:
K: C
%pad=triads,triad-pairs%
"C-Major III V" "Em" EGB "Gmaj" GBd\
|[K:G] "G-Major III V" "Bm" Bdf "Dmaj" D^FA|
[K:D] "D-Major III V" "F#m" ^FAc "Amaj" A^ce\
|[K:A] "A-Major III V" "C#m" ^ceg "Emaj" E^GB|
[K:E] "E-Major III V" "G#m" ^GB^d "Bmaj" B^d^f\
|[K:B] "B-Major III V"\
"D#m" ^d^fa "F#Maj" ^fab|
[K:Gb] "Gb-Major III V"\
"Bbmaj" _B_df "Bbm" _df_a\
|[K:Db] "Db-Major III V"\
"Fm" F_Ac "Ab-maj" _Ac_e|
[K:Ab] "Ab-Major III V"\
"Abmaj" "Cm" c_eg _eg_b\
|[K:Eb] "Eb-Major III V"\
"Gm" G_Bd "Bb-maj" _Bdf|
[K:Bb] "Bb-Major III V"\
"Dm" DFA "F-maj" FAc\
|[K:F] "F-Major III V" "Am" Ace "C-maj" ceg||
%pad=triads%
%%setfont-1 Helvetica 24
%%setfont-2 Times-Italic 22
%%setfont-3 Helvetica-Bold 18
%%setfont-4 Courier 20
X: 1
T:Triad Chords Arpeggios
C: Lesson 1a
M:3/4
L:1/8
K:C
V:1
"Top line instruments" C2 E2 G2\
| "1st inversion" E2 G2 c2\
| "2nd Inversion" G2 c2 e2||
w: Ex-am-ple\
Three notes of C-ma-jor
V:2
"Piano" [C6EG]| [E6Gc] | [E6Gc] ||
%%center This set of lessons will dive deeper and deeper
%%center into triads theory and practice with some studies.
%%center You'll find the studies are short and to the point.
%%center You won't find rambling streams of meaningless "do-be-do-be-do" practice.
%%center Plenty of space has been left to use colour markers and to make your own notes.
%%center Triads are made of three notes.
%%center On a piano, three notes can be played together as a chord
%%center Other instruments have to play notes separately as arpeggios.
%%center Arpeggios can contain the same notes as a chord,
%%center but the notes a played in a sequence.
%%center Each named note can move to take %%center the lowest pitch position,
%%center so "inverting" the triad.
%%begintext
%%endtext
%%center Six ways to play a CEG triad as a melody
[C4EG] [c4eg]| "1" ceg "2" cge \
"3" egc "4" ecg\
"5" gce "6" gec
W: $3 Piano and Chord playing instruments
W: $0 Have three triad chord inversions
W: $0 On guitar, our three notes may be contained in a guitar chord with some extra notes.
W:
W: $3 Wind Instruments
W: $0 Play arpeggios and have more than three
W: ways to arrange the notes into a short melodic phrase
W: $3 Extra
W: $0 Learn the tonic major triads in some other keys.
X: 1
T: Oranges and Lemons
M: 3/4
L: 1/4
R: Major Traids - Descending
%pad=triads,clock%
K: B
V:1
"B-major" "F#7" "5"^f "3" ^d"5"^f\
| "Bmaj7" "3"^d "1" B "2" ^c1/2"3"^d1/2\
| "F#7" "4" e "2" ^c "5" ^f\
| "Bmaj7" "3"^d"1"B2||
V:2
"I" [B3^d^f] | "I" [B3^d^f]\
| "I" [B3^d^f]| "I" [B3^d^f]||
V:1
K:E
"E-Major" "B7" "5" B "3" ^G "5" B\
|"Emaj7" "3" ^G "1" E "2" ^F1/2"3"^G1/2\
|"B7" "4" A "2" ^F "5" B \
|"Emaj7" "3"G"1"E2||
V:2
"E" "I" [E3^GB] | "I" [E3^GB]\
| [E3^GB]| [E3^GB]||
V:1
K:A
"A-major" "E7" "5"e"3"^c"5"e\
| "Amaj7" "3"^c"1"A"2"B1/2"3"^c1/2\
| "E7" "4"d"2"B"5"e\
| "Amaj7" "3"^c"1"A2||
V:2
"A" "I" [A3^ce]|"I" [A3^ce]\
|"I" [A3^ce]| "I" [A3^ce]||
V:1
K:D
"D-major" "A7" "5"A "3" ^F "5" A\
| "Dmaj7" "3"^F"1"D"2"E1/2"3"^F1/2\
| "A7" "4"G"2"E"5"A \
| "Dmaj7" "3"^F"1"D2||
V:2
"D" "I" [D3^FA]| "I" [D3^FA]\
| "I" [D3^FA]| "I" [D3^FA]||
X: 1
T: Oranges and Lemons
M: 6/8
L: 1/4
R: Descending Major Triads - Eb Ab Db Gb
%pad=triads,clock%
V:1
K: Eb
"5"_B"3"G"5"_B\
| "3"G"1"_E"2"F1/2"3"G1/2\
| "4"_A"2"F"5"_B |"3"G"1"_E2||
V:2
"I" [_E3G_B]|[_E3G_B]\
|[_E3G_B]|[_E3G_B]||
V:1
K: Ab
"5"_e"3"c"5"_e\
| "3"c"1"_A"2"_B1/2"3"c1/2\
| "4"_d"2"_B"5"_e "3"c"1"_A2||
V:2
"I" [_A3c_e]|[_A3c_e]\
|[_A3c_e]|[_A3c_e]||
V:1
K: Db
"5"_A"3"F"5"_A\
| "3"F"1"_D"2"_E1/2"3"F1/2\
| "4"_G"2"_E"5"_A "3"F"1"_D2||
V:2
"I" [_D3F_A]|[_D3F_A]\
|[_D3F_A]|[_D3F_A]||
V:1
K:Gb
"5"_A"3"F"5"_A\
| "3"F"1"_D"2"_E1/2"3"F1/2\
| "4"_G"2"_E"5"_A "3"F"1"_D2||
V:2
"I" [_G3_B_d]|[_G3_B_d]\
|[_G3_B_d]|[_G3_B_d]||
X: 1
T: Oranges and Lemons
C: G C F Bb
M: 6/8
L: 1/4
R: Descending Major Triads
%pad=triads,clock%
V:1
K: G
"G" "5"d"3"B"5"d\
|"3"B"1"G"2"A1/2"3"B1/2\
|"4"c"2"A"5"d "3"B"1"G2||
V:2
"I" [G3Bd]|[G3Bd]|[G3Bd]|[G3Bd]||
V:1
K: C
"C" "5"g"3"e"5"g\
| "3"e"1"c"2"d1/2"3"e1/2\
| "4"f"2"d"5"g "3"e"1"c2||
V:2
"I" [C3EG]|[C3EG]\
|[C3EG]|[C3EG]||
V:1
K:F
"F" "5"c"3"A"5"c\
| "3"A"1"F"2"G1/2"3"A1/2\
| "4"_B"2"G"5"c "3"A"1"F2||
V:2
"F" "I" [F3Ac]|[F3Ac]|[F3Ac]|[F3Ac]||
V:1
K: Bb
"Bb" "5"f"3"d"5"f\
| "3"d"1"_B"2"c1/2"3"d1/2\
| "4"_e"2"c"5"f "3"d"1"_B2||
V:2
"I" [_B3df]|[_B3df]|[_B3df]|[_B3df]||
X: 1
T: C-Major Triad 1st Inversion - Tritone Wrapped
T: Tritone from C is F#
L: 1/8
R:
%pad=triads%
K: C
M: 4/4
^f8\
| -f4 e2 c2 | G2 ^F6|-F8|
w: F# - E C G F# -
G2 c2 e2 g2 | c2 e2 g2 c'2 \
| e2 g2 c'2 e'2 | c'2 g2 e2 c2|
w: G C E G C E G C E G C E C G E C
X: 1
T: Major I triads a la Don't get around much anymore
M: 4/4
L: 1/8
R: I + vi
K:
C: 10 9 8 5 4 3
%pad=triads%
"B" "I" [B4^d4^f4] \
|^d^c B^F E^D -D3 ^F\
|" G#m" "vi" ^GB ^de =f^f -f4\
|"E" "I" [E4^G4B4]\
|^g^f eB A^G -G3 B\
|"C#m" "vi" ^ce ^ga ^ab -b4|
"A" "I" [A4^c4e4]\
|^c'b ae d^c -c3 E\
|"F#m" "vi" ^FA ^cd ^de -e4\
|"D" "I" [d4^f4a4] \
| ^fe dA G^F -F3 A| "Bm" "vi" Bd ^fg ^ga -a4|
"G" "I" [G4B4d4]\
|ba gd cB -B3 D| "Em" "vi" EG Bc ^cd -d4\
|"C" "I" [C4E4G4]\
|ed cG FE -E3 G| "Am" "vi" Ac eg ^fg -g4|
"F" "I" [F4A4c4]\
|ag fc _BA -A3 c| "Dm" "vi" DF Ac Bc -c4\
|"Bb" "I" [_B4d4f4]\
|d'c' _bf _ed -d3 F\
|"Gm" "vi" G_B df =ef -f4|
"Eb" "I" [_E4G4_B4]\
|gf _e_B _AG -G3 _B\
|"Cm" "vi" c_e g_b =a_b -_b4\
|"Ab" "I" [_A4C4_E4]\
|c'_b _a_e _dc -c3 _E| "Fm" "vi" F_A c_e =d_e -_e4|
"Db" "I" [_D4F4_A4]\
|f_e _d_A _GF -F3 _A| "Bbm" "vi" _B_d f_a =g_a -_a4\
|"Gb" "I" [_G4_B4_D4]\
|_b_a _g_d =B_B -_B3 _d\
|"Ebm" "vi" _e_g _b_d =c_d -_d4|
X:4
T:Clock 2-4-6-5-7-9-8
M:4/4
L:1/8
K:C
Q:60
R:Add you own diatonic phrases to each ii-V-I
R:Key signature and all notes marked.
%pad=triads,clock%
[K:B] "B-major" "C#m"(3^ce^g "F#"(3^f^a^c' "B" B2 z2\
[K:E]|"E-major" "F#m" (3^F=A^c (3=B^d^f =E2 z2||
[K:A] "A-major" "Bm" (3B=d^f "E"(3e^gb "A" a2 z2\
|[K:D] "D major" "Em"(3EGB "A"(3A^ce "D" d2 z2||
[K:G] "G major" "Am" (3Ace "D" (3d^fa "G" g2 z2\
|[K:C]"C major" "Dm"(3dfa "G"(3gbd' "C" c2 z2||
[K:F]"F major" "Gm"(3G_Bd "C"(3ceg "F" F2 z2\
|[K:Bb]"B-flat" "Cm"(3c_eg "F"(3fac' "Bb" _B2 z2||
[K:Eb] "Eb-major" "Fm"(3F_Ac "Bb"(3_B_df "Eb" _e2 z2\
|"A-flat" "Bbm"(3_Bdf "Eb"(3_eg_b "Ab" _A2 z2||
[K:Db] "D-flat" "Ebm"(3_E_G_B "Ab"(3_Ac_e "Db" _D2 z2\
|[K:Gb] "G-flat" "Abm"(3_A_c_d "B"(3B_e_g _A2 z2||
X:1
T:Cycle of Walking Triads
M:3/4
L:1/8
K:C
%pad=triads%
"F" FA cF Ac\
|_Bd fB df\
|ce gc eg\
|fc AG F4|
M:4/4
zg ab\
|c'ef^f gcd^d\
|=eGAB cEF^F\
| GCD^D EGAC|
"F" zc de \
|fA_B=B cFG_A\
|ACDE FA_B=B\
|cFG_A =AGFG\
|F2 z2 z4|
"Bb" zf ga\
|_bd_e=e f2 _Bc_dd\
|FGA_Bz2z2\
|F_Bc_d =dc_Bc\
|_B2 z2 z4|
"Eb" Bc d_e GA_BB| EF_G\
|=G_Bz2 z4|
"Ab" e fg\
|ac _d=d eA _B=B| cF z2 z4|
X: 1
T: Aeolian Mode Harmonising Traids
M: 4/4
L: 1/8
R: Slow
K:C
T: Ascending Scale
%pad=triads%
[B2] [c2] [d2] [e2]\
| [f2] [g2] [a2] [b2]||
T: 5th of Diatonic Triad
"(B)" [B2EG] "(C)" [c2FA]\
"(D)" [d2BG] "(E)" [e2Ac]\
|"(F)" [f2Bd] "(G)" [g2ce]\
| "(A)" [a2df] "(B)" [b2ge]||
T: First Inversion 3-5-8
"(B)" [B2DF] "(C)" [c2EG]\
"(D)" [d2FA] "(E)" [e2GB]\
|"(F)" [f2Ac] "(G)" [g2Bd]\
| "(A)" [a2ce] "(B)" [b2df]||
T: Second Inversion 5-8-10
"(B)" [B2GD] "(C)" [c2AE]\
"(D)" [d2BF] "(E)" [e2cG]\
| "(F)" [f2dA] "(G)" [g2eB]\
| "(A)" [a2fc] "(B)" [b2gd]||
%%strecthlast%
X: 1
M: 8/4
L: 1/8
R:
T: Triad Approach Notes - Flat Keys
%pad=triads%
K: F
"F" {E}F4 {_A}=A4 {=B}c4\
|{_A}=A4 {=B}c4 {e}f4\
|{=B}c4 {e}f4 {_a}=a4\
|{e}f4 {_a}=a4 {=b}c'4||
K: Bb
"Bb" {A}_B4 {_d}=d4 {=e}f4\
|{_d}=d4 {=e}f4 {a}_b4\
|{=e}f4 {A}_B4 {_d}=d4\
X: 1
M: 6/4
L: 1/8
R:
T: Major Triads Chromatic Movements
%pad=triads%
K: C
"B" Bd^f "C" gec "C#/Db" ^cf^g\
"D" a^fd\
"Eb" _eg_b "E" =b^ge|
"F" fac\
"F#/Gb" _d_B_G\
"G" =G=B=d\
"Ab/G#" _ec_A "A"\
"A" =A^c=e\
"Bb" f=d_B||
X:1
T:Cycled Triads with Major and Minor Sevenths
M:4/4
L:1/8
K:C
%pad=triads,clock%
"E" E^G BD ^DE3\
|"A" A^c eG ^GA3|
"D" d^f ac ^cd3\
|"G" GB D'F ^FG3|
"F" FA c_E=EF3\
|"Bb" _B_d f_A =A_B3|
"Eb" _EG _B_D =D_E3\
|"Ab" _Ac _e_G =G_A3|
"Gb" _G_B _d=E F_G3\
|"B" B^d ^fA ^A=B3|
%%stretchlast%
X:1
M:4/4
L:1/8
K:F
R:
T: Descending Triads
C: Diatonic - Maj,Min,Maj
%pad=triads%
"Fmaj" !emphasis!cAF"Gmaj"!emphasis!d\
_BG!emphasis!"Am"ec\
|A"Bm"fdB (3ede dA\
|"Cmaj" c8\
|"Cm" _egc"Am"_e AcFA|
"Dm" BFD"Cm"c G_E"Fmaj"dA\
|F_eBG dFBF\
|(3ABc A6|zc (3def (3edc B3/2A1/2|
"G" GBd"Am"A ce"Bdim"Bd\
|f"C"ceg "Bdim"fdBG\
|F3 c dcdC|"Fmaj"F2 BFA4||
[K:E] "Emaj"\
!emphasis!B^GE"F#maj"!emphasis!^c\
^A^F!emphasis!"G#m"^dB\
|^G"A#m"e^c^A (3^d^cd ^c^G\
|"Bmaj" B8\
|"Bm" d^fB"G#m"d ^GBE^G|
"C#m" ^AE^C"Bm"B ^FD"Emaj"^c^G\
|Ed^A^F ^cE^AE\
|(3^G^AB ^G6|zB (3^c^de (3^d^cB ^A3/2^G1/2|
"F#" ^F^A^c"G#m"^G B^d"A#dim"^A^c\
|e"B"B^d^f "A#dim"e^c^A^F\
|E3 B ^cB^cB,|"Emaj"E2 ^AE^G4||
X:1
T: Major Triads between Tritones
M:
L:1/8
K:F
%pad=triads,tritones%
"F" =b8 | -b4 (3a2 f2 c2 |B8-|=B8\
K:Bb
| "Bb" =e8| -e4 (3d2 _B2 =F2 |=E8-|=E8|
K:Eb
"Eb" =a8| -a4 (3g2 _e2 _B2 |=A8-|=A8\
K:Ab
| "Ab" =d8| -=d4 (3c2 _A2 _E2 |=D8-|=D8|
K:Db
"Db" =g8 |-g4 (3f2 ^c2 _A2 |=G8-| =G8\
K:Gb
| "Gb" =c8|-c4 (3_B2 ^F2 _D2 |=C8-| =C8|
K:B
"B" =f8 | -f4 (3^d2 =B2 ^F2| =F8-|=F8\
K:E
| "E" ^a8 | -^a4 (3^g2 =e2 =B2| ^A8-|^A8|
K:A
"A" ^d8 | -d4 (3^c2 =A2 E2| ^D8-|^D8\
K:D
| "D" ^g8 | -^g4 (3^f2 d2 _B2| ^G8-|^G8|
K:G
"G" ^c8 | -^c4 (3=B2 G2 =D2| ^C8-|^C8\
K:C
| "C" ^f8 | -^f4 (3=e2 c2 =G2| ^F8-|^F8|
X: 1
T: Major Triad Practice 1358
M: 4/4
L: 1/8
R: Triads
%pad=triads%
K: C
| "B" "5"^F"8"B"5"F"5"F "1"B"3"^d"5"^fz|"3"^d"5"^f"1"bz "5"^f"1"b"3"^d'z
| "E" BeBB "1"E"3"^G"5"Bz|"3"^G"5"B"1"ez "5" B"1"e"3"^gz|
| "A" EAEE "1"A"3"^c"5"ez|"3"^c"5"e"1"az "5"e"1"a"3"^c'z|
| "D" AdAA "1"D"3"^F"5"Az|"3"^F"5"A"1"dz "5"A"1"d"3"^fz|
| "G" DGDD "1"G"3"B"5"dz|"3"B"5"d"1"gz "5"d"1"g"3"bz|
| "C" GcGG "1"C"3"E"5"Gz|"3"E"5"G"1"cz "5"G"1"c"3"ez|
| "F" CFCC "1"F"3"A"5"cz|"3"A"5"c"1"fz "5"c"1"f"3"az|
| "Bb" F_BFF "1"_B"3"d"5"fz|"3"d"5"f"1"_bz "5"f"1"_b"3"d'z|
| "Eb" _B_eBB "1"_E"3"G"5"_Bz|"3"G"5"_B"1"_ez "5"_B"1"_e"3"gz|
| "Ab" _E_AEE "1"_A"3"c"5"_ez|"3"c"5"_e"1"_az "5"_e"1"_a"3"c'z|
| "Db" _A_dAA "1"_D"3"F"5"_Az|"3"F"5"_A"1"_dz "5"_A"1"_d"3"fz|
| "Gb" _D_GDD "1"_G"3"_B"5"_dz|"3"_B"5"_d"1"_gz "5"_d"1"_g"3"_bz|
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