Twelve Bar Blues - Starting on 3rd
| I7 3 4 b5 5.... | IV7 6 b7 7 8.... | I7 5 6 5 b5 4 #2 3 - | I7 3.... & 555 |
| IV7 6 b7 7 8....| | IV7 8 #8 9 b10| | I7 5 6 5 b5 f. #2 3| | I7 .3... & 5 5 5 |
| V7 5 e.. 3... | | V7 5 6 5 b5 4 | | I7 3. 5 6 5 b5 4 3 | | I7 #2 3. &&& (8)|
| @TITLE | |||
C7 E~F~F#~G // |
F7 A~Bb~B~C // |
C G~A~G~Gb F Eb~E |
C / / / X |
F A~Bb~B~C / |
F#dim7 C~C#~D~D# / |
C7 G7 G~A~G~Gb F D~~E |
C / x G~G~G |
G7 G E E / |
G7 G~A~G~Gb F D~E |
C / G~A G~Gb F~E |
G7 D# E X x C |
| @TITLE | |||
Bb7 D~Eb E F / |
Eb7 G~Ab A Bb / |
Bb F G F Eb D C# |
Bb D / / / |
Eb |
Em b5 |
Bb7 F7 |
Bb |
F7 |
F7 |
Bb |
F7 |
What Key am I in?
Bruce Thu, 28 Apr 2022,It's never occurred to me to play Blue Monk in anything but Bb as Monk does (see Youtube with Charlie Rouse). Anyway, I always play in the upper register on tenor where possible when I play lead (eg Shiny Stockings in concert Eb when I'm with a quartet, concert Ab when I'm with a trumpet). On clarinet I play Blue Monk in lower register Bb - it's bluesier. It's simple enough to play in any key though.
Most others, including Dexter Gordon and Herbie Hancock play it in F. (Melody starting on A guitar / B sax ) The tune kicks off with two chromatic runs to land on the octave above the root. Monk;s version Key B - Start chromatics on E-flat and go up to the B above. Dexter Gordon's Version - Key F - Start on A and work up to the Oct F above. Starting with 4-note ascending runs from the
3rd,4th flat 5th, 5th then
another from the 6th, flat 7th, 7th 8th = Root not Octave above. Common keys F-blues starting on A = Sax G-blues (Concert F) starting on b , C-blues starting on E , B-blues starting on E-flat
We have guitars, piano, tenor sax, soprano sax and E-flat alto Sax. So lets fix the key to concert F. I (Leon) don't think of it as either a major or a minor. It starts on the major 3rd but has chromatic runs all over the place. Notice how the whole tone spacing between the two chromatic runs at the start of this tune outline the 4th and 5th degrees of the scale.
It's kind of blues. It has tri-tones and chromatic runs all over it. Best to understand the structure and jam it into your head somehow. Start on the 3rd and walk on chromatically to the 5th. That's 4 notes. Then same again from 6th to the top 8th.
Melody Intervalic Structure
- Find what key the band are playing it in.
- If the root is Doh. Go Doh-Ray-Me to land on the major 3rd starting note.
- Play this Major 3rd note to start a chromatic run from the major 3rd up to the 5th. This lands on 3 scale tones 3rd 4th and 5th but fills in the gap between the 4th and 5th. This not between the 4th and 5th is often called the blues note.
- Take a one beat rest before jumping up one tone to start the second chromatic run up.
-
Play this 2nd upward chromatic run from the 6th up to the 8th
6th flat-7th 7th and Octave 8th
Note: this chromatic run also lands on 3 out of 4 major scale tones.
- Fluff about descending from the 5th back to the root.
- Make it up as you go along and hope it generally gels in with the chords
More Thelonius Monk Music
| 0 | blue-monk-drums-guitar.mp3 |
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| 0 | /home/leonwool/off-pub/off-pub-content/music/tunes/b-tunes/blue-monk/blue-monk-drums-guitar.mp3 file exists already. |
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Matching Sheet Music
Audio Root
Note player Monitor
1 video-blue-monk
2 video-charlie-roose
3 video-solo-transcription
4 video-tri-tone-3rds-and-7ths-on-v7